Friday, 6 May 2016

SYNAEVISION Concept

The purpose of creating a project of this particular nature is to encapsulate the sensation that synaesthetes experience and share it with the viewer, synaesthete or not. The viewers are people that have not generally encountered or understood the concept of synaesthesia but they are able relate to it through the feeling of associating a memory with one of their senses; being able to recall the sound, sight and smell of a particular object just from memory. 

Synaesthesia is not a commonly known phrase or neurological enhancement. Synaevision aims to transform the experiences of synesthetes into visual communication. It also provides a platform for the creative material produced by synesthetes in order to contribute a true visual representation.
This website allows the viewer is able to connect on a creative level as well as an individual. By lacing the website with a variety of textures, sounds, movements and tastes it encourages all of the senses to activate simultaneously. I have purposely overwhelmed areas of the website with contrasting visuals and interactions in order to emphasise an element of chaos that synesthetes undergo. The research into what synesthetes experience has broadened my creative boundaries but also given me the freedom to interpret stimuli and demonstrate my artistic ability.

Understanding each image or taking it literally is not the aim but rather to appreciate the prospect of more than one sense being active at a time. For a non-synesthete trying to relate to a concept that is not a reality can be challenging,  Synaevision brings to life the possibility of a shared understanding through sense stimulating imagery.


SYNAEVISION is a creative collection inspired by, created and enhanced by people with synesthesia. 


Project Evaluation

Synaevision is a website that explores the experiences of people with synesthesia. It’s aim is to combine the interpretation of specific synesthete encounters as well as the original artwork created by synesthetes. The intention of the project has remained similar to the proposed concept in that it is an expressive way of explaining the neurological phenomenon. However, the aesthetics of the website have changed through the development of the concept. I feel as though my technical ability has grown through this process through the continuous need for reflection and practice.

At the start of the project my knowledge of synesthesia was very limited. Therefore I needed to have a better understanding of what it was and how it affects people. I was initially attracted to the subjects associated with synesthesia because they involve the senses to a greater extent. This lends itself to an interesting burst of work. My initial ideas led me to believe that I would need to spend hours sifting through books and case studies to learn about the details of synesthesia. Being more of a people person, I tend to learn more when I am interacting with people, therefore sourcing my research and inspiration was best done on the Facebook page because there is large quantity of diverse experiences. I do feel my research could have been intensified with certain books that highlight the origins of synesthesia and several significant case studies. I feel like this research would have given my concept a substantial basis founded on primary sources. Areas of my website could have been enhanced through more extensive research; however I focused my attention more on the creative aspect of all of my information without delving deeper.

The project focus is largely on the website I have created. Having learned Adobe Muse last summer, I have been building on my skills since then through the creation of a digital magazine. My confidence in my ability to piece together an impressive online publication led me to be cocky with my time management. I decided that the best way to carry out my project was to create all of the content first and then edit it and format it into the website. However, I massively underestimated how time-consuming the website building would be. My perfectionist mentality meant that I couldn’t move on from something until I knew it was perfect. Even then I would continue to edit based on feedback. Despite the pressure I put on myself to bring the website to the standard I wanted, I am pleased I chose to do it myself. When I initially projected the ideas for this concept I had imagined the website would look similar to Pinterest with a variety of diverse high quality images. As the project has developed the focus has been more on the images as a collection and the significance of having them on a website. 

The relationships I have built have contributed to the overall smoothness of the project. My ability to speak within small or large groups has meant that presenting my ideas for the progress presentation wasn’t an issue because I welcome new ideas and other creative input. At several points throughout this process I have questioned my ideas and decisions; I then looked to my mentor for support and guidance, which reassured me. On a few separate occasions I have disagreed with the feedback I was given with regards to the aesthetics of image or the website composition. I do feel that to a certain point the help I was given was for my benefit but personal preference does play a large part. Therefore in some instances I did decide to make my own decisions about how I want aspects of my website to look. With regards to models, I wanted the models to be all different,  as personality plays a big part in how synesthetes view an image. I learnt that in order for me to feel comfortable and confident creating these looks I need to have a connection with model; knowing that I can converse with them puts me at ease. One particular model was very cold and didn’t seem interested in taking part, this made me nervous and incidentally meant I had to re-shoot an entire look because I rushed it through fear. I think because make-up is something I have to try really hard at, I am always nervous creating my looks, especially if they model frequently and are judgemental. 

My initial proposal stated that my process would rely largely on the contribution and feedback from the people affected by synesthesia. This website is as much for them as it is inspired by them so my production schedule allocated certain weeks for them to review it and feedback to me. I managed to do this with a few of my images and the font for my logo, however I quickly learnt that the volume of responses all depends on the timing of the post. I also found that if the post was a concise question there was a higher chance of response. I do feel this hindered some aspects of the website because at certain points I had to make a decision about the content,  based on my creative preference. One of the larger challenges I faced was that I don’t suffer from synesthesia myself so I didn’t want to seem like I was speaking on their behalf. The purpose of Synaevision was to bring to light the vast pool of creativity that can be a platform for inspiration. Every time a non-synesthete asked about the nature of my project and I answered with “synaesthesia”, their confused expression confirmed the importance of highlighting this condition and it’s potential for further concepts. 

At several points through the project my unorganised approach obstructed the natural flow of the process. I also feel like my lack of willing to collaborate has added unnecessary pressure. For the first four photoshoots of this project I used a photographer and the outcome of these images were probably my best. I put that down to the fact my only focus on those shoots was the make-up and hair design and creative direction; therefore I was much more relaxed. Photography isn’t my strongest skill, yet if I have to do it, I will. But certain shoots were crippled by the fact I was worrying about every aspect of the shoot and not paying attention to detail. In a lot of instances I was forced to think on my feet in order to fix lighting problems which I was not equipped to do. Chris Overand ran weekly photography sessions that I should have attended if I knew I was going to be doing my own photography. 

This project has been an interesting subject to study, not only is something very rare but the research into what synesthetes experience has broadened my creative boundaries but also given me the freedom to interpret stimuli and demonstrate my artistic ability. If more time was available for this unit I would have experimented with creating images that incorporate more than one sense at a time whereas, now, they are currently segregated to each section of the website. I would have liked to gather more personal research from the synesthetes in order to provide more inspiration for images. Whilst doing the project I had planned to create an event where I would invite synesthetes into the studio and let them dictate a series of ideas and experiences that I could interpret in a live arena, which I would have then filmed. This way I could have shown a true representation of the process that was involved in some areas of the website. I think this project is so vast that I have only touched on a small element of it and have plans to explore it further. I am planning to undergo the Creative Direction MA in September which I would like to use as a platform to delve into synesthesia on a more concentrated level. 


I have had to overcome several obstacles throughout this project. One of which is constantly comparing my skills or achievements to other peers. Despite my project being very different from anything else I have seen I am very critical of how my outcome measures up to other peoples. This is something I dislike about my work ethic because I should be proud of what I have achieved and learn to concentrate on the journey I have come on to arrive at where I am. I also feel like my organisation skills are something I still need to work on. I have accepted that my style of learning is very last minute because I do produce better work in that scenario. However, I need to realise what is acceptable to leave until the last minute and what needs more planning and time management. 

Website- Left it too late

The website was something I put a lot of time into because I wanted to highlight my website building skills. I spent a lot of time on the research and practical side of this project which I wanted to show through the website, which then meant I became very particular about perfecting the website. I didn't anticipate that the website would take as long as I did so I left it very last minute, thinking it would only take a couple of days.

  • I changed the homepage several times based on the feedback I got from Sharon, however it wasn't something that was easily changed. 
  • Sharon wasn't sure about the font that I had used, I decided to keep the font for my logo but thought the website looked too cluttered if I had it anywhere else, so that meant changing the homepage again to match the font to the one used for all the headings on the rest of the website.
  • I found the text on each page very difficult. I had initially thought that I needed to write a lot about what was going on in each image/what each page was about. But after feedback with Sharon I realised that I didn't need to write a lot as the images were meant to be interpreted by the viewers rather than me telling them what was going on. 
  • When building the website I was annoyed to find that I could only upload videos via youtube, but this then meant that the youtube logo was going to be on it. The way I managed to solve this problem was by covering areas of the video with either white or black boxes (depending on the page colour) so that the video controls etc were visible.
  • I found that my pages were very blank and I think that because I had spent so much time looking at the website that I thought it was boring. That is why I made the decision to cover the page in a doodle that I had done. I think this did make the page look busier but it also gave the website a little more excitement. The vibe of the website immediately changed and also added to the concept of multiple senses coming together. 
I do feel like elements of my website do need to be improved because some areas are a little complicated to follow. However, I do feel like the website encapsulates my concept very well. I think I should have allowed more time in my schedule to complete the website and then shown it to the synesthesia group, which shows poor time management on my part. However, I felt like this website was definitely about learning as I go. I used John's help a lot, but I did a lot of the problem solving myself, as John wasn't always at hand to show me how to do something. 








Bandage shoot

This shoot was the 3rd shoot on the same model of the day. I hadn't met this model before so I was a little nervous about working with her, especially as I was doing 3 looks on her in one morning. This shoot was based on the people on the synesthesia FB page saying that they were hypersensitive to gauze and towels. Therefore I decided to represent this by wrapping the head in bandages. However, I had practiced the exact way I wanted to wrap the head up.
By the time I got to do this photoshoot I was aware that my model was feeling increasing uncomfortable or bored because she wasn't giving me any signs she was happy. This had made me feel very uncomfortable because she wasn't speaking at all. So I ended up rushing this shoot and wrapping the whole gauze around my models head and quickly painting on some lips and eye. However, I didn't anticipate how the makeup would apply to the gauze so it looked very rushed... because it was.
After doing the metal shoot and the chopstick shoot I was feeling very happy but this shoot put me in such a bad mood because I was aware that time was very precious for me, that was why I did 3 shoots in one day. I just felt very low because I couldn't believe how terrible the last look was and I felt very embarrassed. 
I decided the best way to resolve the situation was to re-shoot it, however, time was very limited so I decided to re-shoot it on myself. This way I could take my time, I knew my facial shape which made it easier applying make-up over the top. I also decided to unravel the gauze and thin it out. Then I layered it up slowly till I got the desired thickness. I found re-shooting on myself was so much easier, the only problem I had now was that there was no continuity between the images. Once again I do feel like this shoot was a mixture of my lack of confidence in my skill and my lack of preparation. I rely too much on thinking everything going okay rather than just planning to ensure it does go well. I don't think I will use these images for my website because the lighting is wrong and it has a slightly darker theme to it. However, I am glad I re-shot it because I learnt not to give up after the first try and not to let defeat get me down, because everything can be re done. 









Chopstick face and hair charts/ inspiration












Metal in your face









My logo

When it came to choosing my font I wanted something dynamic that encapsulated the feel of the website. My main focus was that I wanted the font to be bold and there to be no colour in the font because after spending hours reading synesthete Facebook posts it is clear that people with Grapheme colour synesthesia have different colours from different letter of the alphabet. I didn't want a visitor to the website to be put off because I did a red 'S' when they see it as green. I tried out some basic fonts on Illustrator but didn't feel they were detailed enough. I decided to use the website Dafonts,  I managed to narrow my search down to two fonts which were as follows...


Lakestreet
My attraction to this one was because it had a hand draw element to it and really appealed to my artistic side. I also took into consideration that many synesthetes process different lines so I want it to evoke a reaction.

Kandinsky

Ironically I liked this one because it is actually named after one of the most famous artists that had synesthesia so it seems like too much of a coincidence to ignore it. However, I was put off my it because it is a little difficult to read.
I decided the best way to decide which font was more appropriate was to post the two on the synesthesia Facebook page and see the responses...




I found that this brought me closer to my decision because I want to understand a) what they prefer and b) whether it differs to the preference of a regular mind. Despite Sharon's feedback about preferring the Kandinsky font because it was cleaner and more bold. I decided that I would go with Lake Street. Choosing the logo is difficult process because it defines the style of the website, therefore I need to take into consideration the different perspectives.

What obstacles have I come up against? Original schedule? How have I and project changed?

My final year at university has taught me a lot about the way I work. I have understood the hard way that I find it very difficult to give my all to more than one project at a time. I need to focus all of my creativity on one project at a time for it to be successful. I have thoroughly enjoyed everything about this year, including the stress. But I undertook the role of Editor of AnonStyle as part of my WBL unit, not knowing how much of time it would consume. I had to put the launch of the magazine off several times because it wasn't ready and then I was doing my dissertation. So the time I should have spent developing my FMP was spent on getting the magazine fully finalised and ready. I am not ashamed to say that I wouldn't have done it any other way. Every project I have taken on as taught me something different and I would have liked to have more time on this FMP because it has the potential to be amazing but I chose to give half of my time to the magazine.

In my original production schedule I stated that I would post my progress of images and ideas on the FB page for synesthesia. My first post was very successful and was the basis for me thinking that would be a good idea for the rest of the project. However, each time I have posted on the group since then I have had a very minimal response. I'm not sure whether this is due to the length of the post that I was sending or the time that I was sending it but I only got 1 or 2 responses. I think from this point onwards I will only post short questions. I think this has massively hindered my project process because the website is supposed to be about synesthesia and because I don't have it, it relies a lot on the ideas and feedback from the FB page.

I think when I wrote my proposal for this project I had a lot of ideas of what sort of media would be featured on the website rather than what the material would actually be. I think because I was unsure of what I would find on the FB page I couldn't plan each element or shoot. Therefore after the imagination photoshoots I was unsure of where my project would lead. Especially as I had such a large gap between those shoots and starting again because of the magazine. I think the project has worked well with my spontaneity because it is an exciting project and the majority of my inspiration has come from my pinterest board.

Ice cream shoot

I was particularly looking forward to this shoot because it had an exciting concept and I was really enjoying working with food. I was apprehensive about the actual ice cream itself because of how it was created and I thought it might not stay frozen properly. By choosing to do the photography myself I knew there would be extra pressure on myself because of doing the make-up and hair as well. This shoot especially was going to require my creative direction in order to make the images look vibrant and exciting.

  • I enjoyed doing the make-up because I was working with a really lovely model who put me at ease with her chatty nature.
  • I wasn't overly worried about giving her direction as she models professionally so I showed my inspirational images so she could get an understanding of the vibe for the shoot.
  • That day there was a very long queue for the photography hatch, so I ended up waiting for a camera for about 20 minutes while my model sat waiting for me. 
  • I didn't have the foundation to match her skin colour so I had to borrow some from Lottie but the search for her took a little longer than expected.
  • At this point I already felt like I was beginning to become more panicky because I felt like I had kept my model waiting for too long.
  • When the shoot began I immediately knew that I was going to have to rush because the ice cream was melting at a more rapid pace than I had anticipated. Where I had mixed the vanilla ice cream with water and aqua palette the consistency of the ice cream was more icey than it was cream. So as it became warm it turned very mushy.
  • My focus was then completely on the ice cream because it was melting so fast and my model had it all over her face and she couldn't open it because the ice cream wasn't edible. This then meant that my focus on the photography was lost and it seemed to be more about getting the shoot done quickly so that my model was comfortable.
I think I am learning that photoshoots really aren't my strongest skill and I think because I know that it makes me more nervous each time I do one. I think it's worse when I know the model has worked with my peers because I am constantly worrying what they think about me and my concept. Which then leads to a vicious cycle because I mess up due to being nervous and then that makes me look sloppy and frantic. I felt so let down by this shoot because I was really looking forward to it. I feel that a lot of the negatives with this shoot were down to me being unprepared. I didn't test the ice cream, I didn't pack my kit properly and I should have got a camera earlier. I think this project is revealing a lot about myself and my attitude towards my photoshoots. I know that I definitely need to be more prepared. 







The quality of the images are lost because I wasn't able to get the lighting right on my shoot and because I opted to do the photography myself I didn't have the option of correcting the lighting on shoot because I didn't know how. I feel like this shoot had the potential to be very visually dynamic but wasn't because of my lack of preparation. 

Face/hair charts/ Inspiration for Ice cream









Candyfloss shoot

I had originally designed the candyfloss to be a headband, but after experimenting with the styling whilst doing the shoot I found that it worked better as a necklace. I was very happy with how the make-up and hair turned out because it perfectly encapsulated the candy land idea. However, I feel like the lighting made the image look considerably colder and more dark. I like the shadowing of the image but it does contrast with the idea of candy. I wanted the images to look very colourful, light and fluffy to mimic the concept of candyfloss. However, that mood isn't reflected in the images. I also feel like the lips look very dry, whereas adding some gloss may have made the image look a bit more lively. I wanted the lips to look like they were covered in sugar, however that didn't translate very well on camera. I feel like if I had had a photographer on set, they would have been able to play with the lighting much better than I did. Then I would have had more of a variety of images to choose from. Despite this, I do like the way the images have turned out because there are some beautiful close ups of the candyfloss. 






Inspired by candyfloss




















Drawing images